No posts received thumbs up, next time you see a good one, give some respect and thumb it up.
Re: Topic: Take Five
July 28, 2008 by brighteyez
2. When Lewis proposed.
3. The day I opened my design studio.
4. The first night we spent in our home.
5. Every Christmas with my family.
Five of your favorite movies.
Topic: Black and White Twins
July 27, 2008 by brighteyez
A mixed-race British mom, Kylie Hodgson, gave birth in 2005 to twins, one of each. No, not a boy and a girl. Two girls —
one black, the other white. The odds of such a birth are about a million to one, experts said. Although occurrences of this nature sometimes occur when a woman conceives twins fathered by two different men, this was a much rarer case in which a single pairing produced twins with distinctly different physical attributes (e.g., skin tone, hair color, eye color) rather than a blending of their parents' characteristics. The parents, Kylie and her partner, Remi Horder, are of mixed race themselves, both having been born to white mothers and black fathers. Their twin girls — Kian and Remee — were both born with blue eyes, with Remee having blonde hair and Kian having black hair and somewhat darker skin than her sister. Since then, Remee's skin tone has become lighter, while Kian's has become darker and her eyes have turned brown.

Topic: Craziest Conspiracy Theories
July 26, 2008 by brighteyez
1.Israel makes palestinian schoolgirls sexually promiscuous by selling them aphrodisiac
bubble-gum
Palestinian authorities uncovered Israeli efforts to spread a special kind of gum that contains sexual hormone between Palestinians. The authorities requested laboratory tests on the gum which were conducted in Cairo. Those tests showed that the gum contains progesterone which is responsible for sexual arousal and also prevents pregnancies. Palestinian authorities confiscated 200 tonnes of gum in
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2.Alien Reptiles are dominating the World
According to BBC Reporter David Icke, reptilian humanoids are the force behind a worldwide conspiracy directed at
manipulation and control of humanity. He contends that most of the world's leaders, from William Jefferson Clinton, Hillary Rodham Clinton, Barack Obama and George W. Bush to members of the British royal family, are in fact related to the 7-foot (2.1 m) tall, blood-drinking reptilians from the star system Alpha Draconis.
According to an interview with David Icke, Christine Fitzgerald, a confidante of the late Diana, Princess of Wales, claims that Diana told her that the Royal Family were reptilian aliens, and that they could shapeshift. David Icke and others have claimed that U.S. President George W. Bush and his family are part of this same bloodline.
Icke claims, based on his exploration of genealogical connections to European royalty, that many presidents of the United States have been and are reptilian humanoids. In his view, United States foreign policy after September 11 is the product of a reptilian conspiracy to enslave humanity, with George W. Bush as a servant of the reptilians. He also theorizes that the reptilians came to Earth from the constellation Draco.
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3.Wingdings font has a secret message of approval to kill Jews
Wingdings is a font included in all versions of Microsoft Windows, with a history of controversy. In 1992, only days after the release of Windows 3.1, it was discovered that the character sequence "NYC" in Wingdings was rendered as a skull and crossbones symbol, Star of David, and thumbs up gesture. This could be interpreted as a message of approval of killing Jews, especially those from New York City. Microsoft strongly denied this was intentional, and insisted that the final arrangement of the glyphs in the font was largely random. (The character sequence "NYC" in the later-released Webdings font, in turn, is rendered as eye, heart, and city skyline, which could be interpreted as "I Love New York City". Microsoft has stated that this is intentional.)An urban legend that spread after the September 11, 2001 attacks was that if the sequence "Q33NY" is typed in Wingdings, the Q becomes an aircraft, the threes become lined documents (which resemble skyscrapers), the N becomes a skull and crossbones, and the Y becomes the Star of David. The resulting graphics look like an aircraft preparing to impact the World Trade Center, with a message of death for those of Jewis
h faith. The "NY" stands for New York, and "Q33" allegedly was the designation of one of the aircraft. However, the theory that this has any valid non-accidental connection with the attacks falls apart under scrutiny: the terrorist attacks were not specifically directed at Jews, and none of the aircraft used on that day bore the designation of Q33. Another suggestion was that "Q33" was a reference to a bus route, typically alleged to be at the World Trade Center itself, or to one of the airports involved. In reality, bus route Q33 serves LaGuardia Airport, and none of the hijacked aircraft took off from or were heading there. Various other combinations of Wingdings characters are alleged to have special significance by conspiracy theorists
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4.Stephen King killed John Lennon
Steve Lightfoot's book "Lennon Murder Expose" suggest his theory with "strong" evidence from government codes
in the bold print headlines of Time. His website's introduction reads: "Contrary to all reports about a lone drifter named Mark David Chapman who allegedly shot John Lennon in the back December 8, 1980 you'll find ample evidence in the back issues of Time, Newsweek, and US News and World Report magazines to suggest otherwise. Namely, that John Lennon was, not only politically assassinated, but that Richard Nixon, Ronald Reagan and, you'd better sit down, horror novelist Stephen King are the three people who can be proven guilty of the crime. King being the real murderer and Chapman but a look-alike, paid actor misleading you with an absolute hoax, the media in tow."
"The evidence, specifically, is government codes in the bold print headlines of Time, Newsweek, and U.S. News and World Report magazines that were printed shortly before, during, and after the night of December 8, 1980. Hints in the headlines that you won't find anywhere else that plug into John Lennon's assassination with up to 70% frequency at times. These government codes, which read like gallows humor; «Thinking About John Lennon...Johnny Comes Marching Home...Kiss, Kiss, Bang, Bang, Ouch, Ouch...The Job Richard Nixon Really Wanted...Blasting the Opposition...America Needs A Poet Laureate...Maybe...Heeding Those Subtle Signs...Magazine Maze...All the Presidents Magazines...». These codes include the killer's face and true identity printed three and two months before the crime replete with headlines describing the then yet to come crime scene: «One Great Big Zippo Lighter...Perils of Pyrokinesis». Pyrokinesis means fire and movement, and a man at night with a gun ablaze, crouched in a raincoat looks like a great big cigarette lighter. Subtle but dramatic codes."
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5.The Early Middle Ages (614–911 AD) never occurred. Year 2007 is actually 1710
The Phantom time hypothesis is a theory developed by Heribert Illig (born 1947) in 1991, which suggests that the
Early Middle Ages (more precisely, the period 614–911 AD) never occurred, meaning that all artifacts attributed to this period are from other times and that all historical figures from this period are outright fabrications. The vast majority of historians believe this theory to be wrong. The basis of Illig's claims is the paucity of archaeological evidence that can be reliably dated to this period; perceived inadequacies of radiometric and dendrochronological methods of dating this period, and the over-reliance of medieval historians on written sources. For Western Europe, Illig claims the presence of Romanesque architecture in the tenth century as evidence that less than half a millennium could have passed since the fall of the Roman Empire, and concludes that the entire Carolingian period, including the person of Charles the Great, is a forgery of medieval chroniclers, more precisely a conspiracy instigated by Otto III and Gerbert d'Aurillac.
The theory also stems from the belief that during the introduction of the Gregorian calendar in Europe (1582 AD), while compensating for a ten day discrepancy in the old Julian calendar, many dates were falsely (or ineptly) recalculated as the new system created a thirteen day discrepancy. The original mathematical blemish was attributed to the Julian year being 1.3 minutes too long (which is commonly agreed as factual).
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6.Paul McCartney is dead. The current is just a lookalike
The supposed death of Paul McCartney, a member of the Beatles, was the subject of a rumour that began circulating in October 1969. Proponents of the theory, which is commonly referred to as the Paul is dead hoax, claim that McCartney died in a car crash in late 1966 and was replaced by a lookalike before the recording of Sgt. Pepper's Lonely Hearts Club Band. The supposed "clues" are given throughout the post-1966 Beatles material in the form of peculiar album covers, possible symbolism in strange lyrics, and backmasking. The rumour started when radio DJ Russ Gibb received a call from a listener who claimed that McCartney had died and the Beatles (namely John Lennon) had sprinkled clues throughout the Beatles' albums for fans to pick up on. The rumour quickly died down in 1970 after McCartney revealed himself to be alive on the cover of Newsweek magazine. However, some theorists still maintain that Paul is dead and the Paul McCartney who played with Wings and in the Super Bowl is the same lookalike who played with the Beatles after Revolver. ________________________________________________________
7.NASA Faked the Moon Landings
Apollo Moon Landing hoax accusations are claims that some or all elements of the Apollo Moon landings were faked by NASA and possibly members of other involved organizations. Some groups and individuals have advanced alternate historical narratives which tend, to varying degrees, to include the following common elements:
Topic: Stupidest Warning Labels
July 26, 2008 by brighteyez

DO NOT put any person in this washer
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6PCS Precision screwdriver set not to be inserted into PENIS
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Do not eat Ipod shuffle (found on apple's website)
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We are sorry that our president is an idiot, we did not voted for him.
(on an american clothing label, in french)
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Be careful of bad language on this mobile phone, because a partner's feeling is going to be bad.
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Topic: World's Most Creative Buildings
July 26, 2008 by brighteyez
World's Most Creative Buildings
The Basket Building (United States)
What started out as a dream by Dave Longaberger, Founder of The Longaberger Company, has been built Home Office into a giant basket to house the entire corporate offices of the company. Dave believed the idea was one of his best and would draw attention to the company, while simultaneously helping to build our brand. However, when he started spreading the idea of building a Home Office that was really a basket, he found that most people just thought that Dave was making a joke as Dave was a notorious practical joker. Not only did the bankers, architects and construction companies not take Dave seriously, neither did many of the employees who worked for The Longaberger Company, but Dave persevered. The dream was achieved on December 17, 1997 when the Home Office that is designed to resemble a basket finally opened for business.
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The Dancing House (Czech Republic)
The Dancing House is the nickname given to an office building in downtown Prague, Czech Republic. It was designed by Croatian-born Czech architect Vlado Milunic in co-operation with Canadian architect Frank Gehry on a vacant riverfront plot (where the previous building had been destroyed during the Bombing of Prague in 1945). The construction started in 1994 and was finished in 1996.
The very non-traditional design was controversial at the time. Czech president Vaclav Havel, who lived for decades next to the site, had supported it, hoping that the building would become a center of cultural activity. Originally named Fred and Ginger (after Fred Astaire and Ginger Rogers - the house vaguely resembles a pair of dancers) the house stands out among the Neo-Baroque, Neo-Gothic and Art Nouveau buildings for which Prague is famous.
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The Piano House (China)
This unique piano house was built recently in An Hui Province, China. Inside of the violin is the escalator to the building. The building displays various city plans and development prospects in an effort to draw interest into the recently developed area.
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Kansas City Library (United States)
Kansas City Library has one seriously cool façade. Local residents were asked to nominate influential books that represent kansas city, humungous versions of the winning nominations were then used as the exterior of the library car-park.
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The Robot Building (Thailand)
The Robot Building, located in the Sathorn business district of Bangkok, Thailand, houses United Overseas Bank's Bangkok headquarters. It was designed for the Bank of Asia by Sumet Jumsai to reflect the computerization of banking; its architecture is a reaction against neoclassical and high-tech postmodern architecture.
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he Crooked House (Poland)
Polish architect of the Crooked House, Szotynscy Zaleski, was inspired by the fairytale illustrations of Jan Marcin Szancer and the drawings of the Swedish artist and Sopot resident Per Dahlberg. The most photographed building in Poland, the 4,000 square meter house is located in Rezydent shopping center in Sopot, Poland.
Re: Topic: Take Five
July 26, 2008 by brighteyez
Five Items you could never part with and why.
1. My daughter's first lock of hair that was cut. - It brings back a sweet memory.
2. My engagement ring. - It was designed for me.
3. The dvds of all of Bella's firsts. - Too precious to part with.
4. My Birkin Bag - It took too long to get it.
5. My flatiron - Can't survive with the frizzies.
5 moments in your life that you consider perfect.
Re: Good News, Bad News
July 26, 2008 by brighteyez
The good news is that your fast thinking during the Tsunami led to saving a movie director's life & he wants you to star in his next project.
The bad news is that he is an XXX rated director.
The good news is....
Short Story; A Haunted House by Virginia Woolf (1882-1941)
July 25, 2008 by brighteyez
A Haunted House
by Virginia Woolf (1882-1941)
Whatever hour you woke there was a door shutting. From room to room they went, hand in hand, lifting here, opening there, making sure--a ghostly couple.
"Here we left it," she said. And he added, "Oh, but here tool" "It's upstairs," she murmured. "And in the garden," he whispered. "Quietly," they said, "or we shall wake them."
But it wasn't that you woke us. Oh, no. "They're looking for it; they're drawing the curtain," one might say, and so read on a page or two. "Now they've found it,' one would be certain, stopping the pencil on the margin. And then, tired of reading, one might rise and see for oneself, the house all empty, the doors standing open, only the wood pigeons bubbling with content and the hum of the threshing machine sounding from the farm. "What did I come in here for? What did I want to find?" My hands were empty. "Perhaps its upstairs then?" The apples were in the loft. And so down again, the garden still as ever, only the book had slipped into the grass.
But they had found it in the drawing room. Not that one could ever see them. The windowpanes reflected apples, reflected roses; all the leaves were green in the glass. If they moved in the drawing room, the apple only turned its yellow side. Yet, the moment after, if the door was opened, spread about the floor, hung upon the walls, pendant from the ceiling--what? My hands were empty. The shadow of a thrush crossed the carpet; from the deepest wells of silence the wood pigeon drew its bubble of sound. "Safe, safe, safe" the pulse of the house beat softly. "The treasure buried; the room . . ." the pulse stopped short. Oh, was that the buried treasure?
A moment later the light had faded. Out in the garden then? But the trees spun darkness for a wandering beam of sun. So fine, so rare, coolly sunk beneath the surface the beam I sought always burned behind the glass. Death was the glass; death was between us, coming to the woman first, hundreds of years ago, leaving the house, sealing all the windows; the rooms were darkened. He left it, left her, went North, went East, saw the stars turned in the Southern sky; sought the house, found it dropped beneath the Downs. "Safe, safe, safe," the pulse of the house beat gladly. 'The Treasure yours."
The wind roars up the avenue. Trees stoop and bend this way and that. Moonbeams splash and spill wildly in the rain. But the beam of the lamp falls straight from the window. The candle burns stiff and still. Wandering through the house, opening the windows, whispering not to wake us, the ghostly couple seek their joy.
"Here we slept," she says. And he adds, "Kisses without number." "Waking in the morning--" "Silver between the trees--" "Upstairs--" 'In the garden--" "When summer came--" 'In winter snowtime--" "The doors go shutting far in the distance, gently knocking like the pulse of a heart.
Nearer they come, cease at the doorway. The wind falls, the rain slides silver down the glass. Our eyes darken, we hear no steps beside us; we see no lady spread her ghostly cloak. His hands shield the lantern. "Look," he breathes. "Sound asleep. Love upon their lips."
Stooping, holding their silver lamp above us, long they look and deeply. Long they pause. The wind drives straightly; the flame stoops slightly. Wild beams of moonlight cross both floor and wall, and, meeting, stain the faces bent; the faces pondering; the faces that search the sleepers and seek their hidden joy.
"Safe, safe, safe," the heart of the house beats proudly. "Long years--" he sighs. "Again you found me." "Here," she murmurs, "sleeping; in the garden reading; laughing, rolling apples in the loft. Here we left our treasure--" Stooping, their light lifts the lids upon my eyes. "Safe! safe! safe!" the pulse of the house beats wildly. Waking, I cry "Oh, is this your buried treasure? The light in the heart
Short Story: The Premature Burial by Edgar Allan Poe (1809-1849)
July 25, 2008 by brighteyez
by Edgar Allan Poe (1809-1849)
THERE are certain themes of which the interest is all-absorbing, but which are too entirely horrible for the purposes of legitimate fiction. These the mere romanticist must eschew, if he do not wish to offend or to disgust. They are with propriety handled only when the severity and majesty of Truth sanctify and sustain them. We thrill, for example, with the most intense of "pleasurable pain" over the accounts of the Passage of the Beresina, of the Earthquake at Lisbon, of the Plague at London, of the Massacre of St. Bartholomew, or of the stifling of the hundred and twenty-three prisoners in the Black Hole at Calcutta. But in these accounts it is the fact - -- it is the reality - -- it is the history which excites. As inventions, we should regard them with simple abhorrence.
I have mentioned some few of the more prominent and august calamities on record; but in these it is the extent, not less than the character of the calamity, which so vividly impresses the fancy. I need not remind the reader that, from the long and weird catalogue of human miseries, I might have selected many individual instances more replete with essential suffering than any of these vast generalities of disaster. The true wretchedness, indeed -- the ultimate woe - -- is particular, not diffuse. That the ghastly extremes of agony are endured by man the unit, and never by man the mass - -- for this let us thank a merciful God!
To be buried while alive is, beyond question, the most terrific of these extremes which has ever fallen to the lot of mere mortality. That it has frequently, very frequently, so fallen will scarcely be denied by those who think. The boundaries which divide Life from Death are at best shadowy and vague. Who shall say where the one ends, and where the other begins? We know that there are diseases in which occur total cessations of all the apparent functions of vitality, and yet in which these cessations are merely suspensions, properly so called. They are only temporary pauses in the incomprehensible mechanism. A certain period elapses, and some unseen mysterious principle again sets in motion the magic pinions and the wizard wheels. The silver cord was not for ever loosed, nor the golden bowl irreparably broken. But where, meantime, was the soul?
Apart, however, from the inevitable conclusion, a priori that such causes must produce such effects - -- that the well-known occurrence of such cases of suspended animation must naturally give rise, now and then, to premature interments -- apart from this consideration, we have the direct testimony of medical and ordinary experience to prove that a vast number of such interments have actually taken place. I might refer at once, if necessary to a hundred well authenticated instances. One of very remarkable character, and of which the circumstances may be fresh in the memory of some of my readers, occurred, not very long ago, in the neighboring city of Baltimore, where it occasioned a painful, intense, and widely-extended excitement. The wife of one of the most respectable citizens-a lawyer of eminence and a member of Congress -- was seized with a sudden and unaccountable illness, which completely baffled the skill of her physicians. After much suffering she died, or was supposed to die. No one suspected, indeed, or had reason to suspect, that she was not actually dead. She presented all the ordinary appearances of death. The face assumed the usual pinched and sunken outline. The lips were of the usual marble pallor. The eyes were lustreless. There was no warmth. Pulsation had ceased. For three days the body was preserved unburied, during which it had acquired a stony rigidity. The funeral, in short, was hastened, on account of the rapid advance of what was supposed to be decomposition.
The lady was deposited in her family vault, which, for three subsequent years, was undisturbed. At the expiration of this term it was opened for the reception of a sarcophagus; - -- but, alas! how fearful a shock awaited the husband, who, personally, threw open the door! As its portals swung outwardly back, some white-apparelled object fell rattling within his arms. It was the skeleton of his wife in her yet unmoulded shroud.
A careful investigation rendered it evident that she had revived within two days after her entombment; that her struggles within the coffin had caused it to fall from a ledge, or shelf to the floor, where it was so broken as to permit her escape. A lamp which had been accidentally left, full of oil, within the tomb, was found empty; it might have been exhausted, however, by evaporation. On the uttermost of the steps which led down into the dread chamber was a large fragment of the coffin, with which, it seemed, that she had endeavored to arrest attention by striking the iron door. While thus occupied, she probably swooned, or possibly died, through sheer terror; and, in failing, her shroud became entangled in some iron -- work which projected interiorly. Thus she remained, and thus she rotted, erect.
In the year 1810, a case of living inhumation happened in France, attended with circumstances which go far to warrant the assertion that truth is, indeed, stranger than fiction. The heroine of the story was a Mademoiselle Victorine Lafourcade, a young girl of illustrious family, of wealth, and of great personal beauty. Among her numerous suitors was Julien Bossuet, a poor litterateur, or journalist of Paris. His talents and general amiability had recommended him to the notice of the heiress, by whom he seems to have been truly beloved; but her pride of birth decided her, finally, to reject him, and to wed a Monsieur Renelle, a banker and a diplomatist of some eminence. After marriage, however, this gentleman neglected, and, perhaps, even more positively ill-treated her. Having passed with him some wretched years, she died, - -- at least her condition so closely resembled death as to deceive every one who saw her. She was buried - -- not in a vault, but in an ordinary grave in the village of her nativity. Filled with despair, and still inflamed by the memory of a profound attachment, the lover journeys from the capital to the remote province in which the village lies, with the romantic purpose of disinterring the corpse, and possessing himself of its luxuriant tresses. He reaches the grave. At midnight he unearths the coffin, opens it, and is in the act of detaching the hair, when he is arrested by the unclosing of the beloved eyes. In fact, the lady had been buried alive. Vitality had not altogether departed, and she was aroused by the caresses of her lover from the lethargy which had been mistaken for death. He bore her frantically to his lodgings in the village. He employed certain powerful restoratives suggested by no little medical learning. In fine, she revived. She recognized her preserver. She remained with him until, by slow degrees, she fully recovered her original health. Her woman's heart was not adamant, and this last lesson of love sufficed to soften it. She bestowed it upon Bossuet. She returned no more to her husband, but, concealing from him her resurrection, fled with her lover to America. Twenty years afterward, the two returned to France, in the persuasion that time had so greatly altered the lady's appearance that her friends would be unable to recognize her. They were mistaken, however, for, at the first meeting, Monsieur Renelle did actually recognize and make claim to his wife. This claim she resisted, and a judicial tribunal sustained her in her resistance, deciding that the peculiar circumstances, with the long lapse of years, had extinguished, not only equitably, but legally, the authority of the husband.
The "Chirurgical Journal" of Leipsic -- a periodical of high authority and merit, which some American bookseller would do well to translate and republish, records in a late number a very distressing event of the character in question.
An officer of artillery, a man of gigantic stature and of robust health, being thrown from an unmanageable horse, received a very severe contusion upon the head, which rendered him insensible at once; the skull was slightly fractured, but no immediate danger was apprehended. Trepanning was accomplished successfully. He was bled, and many other of the ordinary means of relief were adopted. Gradually, however, he fell into a more and more hopeless state of stupor, and, finally, it was thought that he died.
The weather was warm, and he was buried with indecent haste in one of the public cemeteries. His funeral took place on Thursday. On the Sunday following, the grounds of the cemetery were, as usual, much thronged with visiters, and about noon an intense excitement was created by the declaration of a peasant that, while sitting upon the grave of the officer, he had distinctly felt a commotion of the earth, as if occasioned by some one struggling beneath. At first little attention was paid to the man's asseveration; but his evident terror, and the dogged obstinacy with which he persisted in his story, had at length their natural effect upon the crowd. Spades were hurriedly procured, and the grave, which was shamefully shallow, was in a few minutes so far thrown open that the head of its occupant appeared. He was then seemingly dead; but he sat nearly erect within his coffin, the lid of which, in his furious struggles, he had partially uplifted.
He was forthwith conveyed to the nearest hospital, and there pronounced to be still living, although in an asphytic condition. After some hours he revived, recognized individuals of his acquaintance, and, in broken sentences spoke of his agonies in the grave.
From what he related, it was clear that he must have been conscious of life for more than an hour, while inhumed, before lapsing into insensibility. The grave was carelessly and loosely filled with an exceedingly porous soil; and thus some air was necessarily admitted. He heard the footsteps of the crowd overhead, and endeavored to make himself heard in turn. It was the tumult within the grounds of the cemetery, he said, which appeared to awaken him from a deep sleep, but no sooner was he awake than he became fully aware of the awful horrors of his position.
This patient, it is recorded, was doing well and seemed to be in a fair way of ultimate recovery, but fell a victim to the quackeries of medical experiment. The galvanic battery was applied, and he suddenly expired in one of those ecstatic paroxysms which, occasionally, it superinduces.
The mention of the galvanic battery, nevertheless, recalls to my memory a well known and very extraordinary case in point, where its action proved the means of restoring to animation a young attorney of London, who had been interred for two days. This occurred in 1831, and created, at the time, a very profound sensation wherever it was made the subject of converse.
The patient, Mr. Edward Stapleton, had died, apparently of typhus fever, accompanied with some anomalous symptoms which had excited the curiosity of his medical attendants. Upon his seeming decease, his friends were requested to sanction a post-mortem examination, but declined to permit it. As often happens, when such refusals are made, the practitioners resolved to disinter the body and dissect it at leisure, in private. Arrangements were easily effected with some of the numerous corps of body-snatchers, with which London abounds; and, upon the third night after the funeral, the supposed corpse was unearthed from a grave eight feet deep, and deposited in the opening chamber of one of the private hospitals.
An incision of some extent had been actually made in the abdomen, when the fresh and undecayed appearance of the subject suggested an application of the battery. One experiment succeeded another, and the customary effects supervened, with nothing to characterize them in any respect, except, upon one or two occasions, a more than ordinary degree of life-likeness in the convulsive action.
It grew late. The day was about to dawn; and it was thought expedient, at length, to proceed at once to the dissection. A student, however, was especially desirous of testing a theory of his own, and insisted upon applying the battery to one of the pectoral muscles. A rough gash was made, and a wire hastily brought in contact, when the patient, with a hurried but quite unconvulsive movement, arose from the table, stepped into the middle of the floor, gazed about him uneasily for a few seconds, and then -- spoke. What he said was unintelligible, but words were uttered; the syllabification was distinct. Having spoken, he fell heavily to the floor.
For some moments all were paralyzed with awe -- but the urgency of the case soon restored them their presence of mind. It was seen that Mr. Stapleton was alive, although in a swoon. Upon exhibition of ether he revived and was rapidly restored to health, and to the society of his friends -- from whom, however, all knowledge of his resuscitation was withheld, until a relapse was no longer to be apprehended. Their wonder -- their rapturous astonishment -- may be conceived.
The most thrilling peculiarity of this incident, nevertheless, is involved in what Mr. S. himself asserts. He declares that at no period was he altogether insensible -- that, dully and confusedly, he was aware of everything which happened to him, from the moment in which he was pronounced dead by his physicians, to that in which he fell swooning to the floor of the hospital. "I am alive," were the uncomprehended words which, upon recognizing the locality of the dissecting-room, he had endeavored, in his extremity, to utter.
It were an easy matter to multiply such histories as these -- but I forbear -- for, indeed, we have no need of such to establish the fact that premature interments occur. When we reflect how very rarely, from the nature of the case, we have it in our power to detect them, we must admit that they may frequently occur without our cognizance. Scarcely, in truth, is a graveyard ever encroached upon, for any purpose, to any great extent, that skeletons are not found in postures which suggest the most fearful of suspicions.
Fearful indeed the suspicion -- but more fearful the doom! It may be asserted, without hesitation, that no event is so terribly well adapted to inspire the supremeness of bodily and of mental distress, as is burial before death. The unendurable oppression of the lungs -- the stifling fumes from the damp earth -- the clinging to the death garments -- the rigid embrace of the narrow house -- the blackness of the absolute Night -- the silence like a sea that overwhelms -- the unseen but palpable presence of the Conqueror Worm -- these things, with the thoughts of the air and grass above, with memory of dear friends who would fly to save us if but informed of our fate, and with consciousness that of this fate they can never be informed -- that our hopeless portion is that of the really dead -- these considerations, I say, carry into the heart, which still palpitates, a degree of appalling and intolerable horror from which the most daring imagination must recoil. We know of nothing so agonizing upon Earth -- we can dream of nothing half so hideous in the realms of the nethermost Hell. And thus all narratives upon this topic have an interest profound; an interest, nevertheless, which, through the sacred awe of the topic itself, very properly and very peculiarly depends upon our conviction of the truth of the matter narrated. What I have now to tell is of my own actual knowledge -- of my own positive and personal experience.
For several years I had been subject to attacks of the singular disorder which physicians have agreed to term catalepsy, in default of a more definitive title. Although both the immediate and the predisposing causes, and even the actual diagnosis, of this disease are still mysterious, its obvious and apparent character is sufficiently well understood. Its variations seem to be chiefly of degree. Sometimes the patient lies, for a day only, or even for a shorter period, in a species of exaggerated lethargy. He is senseless and externally motionless; but the pulsation of the heart is still faintly perceptible; some traces of warmth remain; a slight color lingers within the centre of the cheek; and, upon application of a mirror to the lips, we can detect a torpid, unequal, and vacillating action of the lungs. Then again the duration of the trance is for weeks -- even for months; while the closest scrutiny, and the most rigorous medical tests, fail to establish any material distinction between the state of the sufferer and what we conceive of absolute death. Very usually he is saved from premature interment solely by the knowledge of his friends that he has been previously subject to catalepsy, by the consequent suspicion excited, and, above all, by the non-appearance of decay. The advances of the malady are, luckily, gradual. The first manifestations, although marked, are unequivocal. The fits grow successively more and more distinctive, and endure each for a longer term than the preceding. In this lies the principal security from inhumation. The unfortunate whose first attack should be of the extreme character which is occasionally seen, would almost inevitably be consigned alive to the tomb.
My own case differed in no important particular from those mentioned in medical books. Sometimes, without any apparent cause, I sank, little by little, into a condition of hemi-syncope, or half swoon; and, in this condition, without pain, without ability to stir, or, strictly speaking, to think, but with a dull lethargic consciousness of life and of the presence of those who surrounded my bed, I remained, until the crisis of the disease restored me, suddenly, to perfect sensation. At other times I was quickly and impetuously smitten. I grew sick, and numb, and chilly, and dizzy, and so fell prostrate at once. Then, for weeks, all was void, and black, and silent, and Nothing became the universe. Total annihilation could be no more. From these latter attacks I awoke, however, with a gradation slow in proportion to the suddenness of the seizure. Just as the day dawns to the friendless and houseless beggar who roams the streets throughout the long desolate winter night -- just so tardily -- just so wearily -- just so cheerily came back the light of the Soul to me.
Apart from the tendency to trance, however, my general health appeared to be good; nor could I perceive that it was at all affected by the one prevalent malady -- unless, indeed, an idiosyncrasy in my ordinary sleep may be looked upon as superinduced. Upon awaking from slumber, I could never gain, at once, thorough possession of my senses, and always remained, for many minutes, in much bewilderment and perplexity; -- the mental faculties in general, but the memory in especial, being in a condition of absolute abeyance.
In all that I endured there was no physical suffering but of moral distress an infinitude. My fancy grew charnel, I talked "of worms, of tombs, and epitaphs." I was lost in reveries of death, and the idea of premature burial held continual possession of my brain. The ghastly Danger to which I was subjected haunted me day and night. In the former, the torture of meditation was excessive -- in the latter, supreme. When the grim Darkness overspread the Earth, then, with every horror of thought, I shook -- shook as the quivering plumes upon the hearse. When Nature could endure wakefulness no longer, it was with a struggle that I consented to sleep -- for I shuddered to reflect that, upon awaking, I might find myself the tenant of a grave. And when, finally, I sank into slumber, it was only to rush at once into a world of phantasms, above which, with vast, sable, overshadowing wing, hovered, predominant, the one sepulchral Idea.
From the innumerable images of gloom which thus oppressed me in dreams, I select for record but a solitary vision. Methought I was immersed in a cataleptic trance of more than usual duration and profundity. Suddenly there came an icy hand upon my forehead, and an impatient, gibbering voice whispered the word "Arise!" within my ear.
I sat erect. The darkness was total. I could not see the figure of him who had aroused me. I could call to mind neither the period at which I had fallen into the trance, nor the locality in which I then lay. While I remained motionless, and busied in endeavors to collect my thought, the cold hand grasped me fiercely by the wrist, shaking it petulantly, while the gibbering voice said again:
"Arise! did I not bid thee arise?"
"And who," I demanded, "art thou?"
"I have no name in the regions which I inhabit," replied the voice, mournfully; "I was mortal, but am fiend. I was merciless, but am pitiful. Thou dost feel that I shudder. -- My teeth chatter as I speak, yet it is not with the chilliness of the night -- of the night without end. But this hideousness is insufferable. How canst thou tranquilly sleep? I cannot rest for the cry of these great agonies. These sights are more than I can bear. Get thee up! Come with me into the outer Night, and let me unfold to thee the graves. Is not this a spectacle of woe? -- Behold!"
I looked; and the unseen figure, which still grasped me by the wrist, had caused to be thrown open the graves of all mankind, and from each issued the faint phosphoric radiance of decay, so that I could see into the innermost recesses, and there view the shrouded bodies in their sad and solemn slumbers with the worm. But alas! the real sleepers were fewer, by many millions, than those who slumbered not at all; and there was a feeble struggling; and there was a general sad unrest; and from out the depths of the countless pits there came a melancholy rustling from the garments of the buried. And of those who seemed tranquilly to repose, I saw that a vast number had changed, in a greater or less degree, the rigid and uneasy position in which they had originally been entombed. And the voice again said to me as I gazed:
"Is it not -- oh! is it not a pitiful sight?" -- but, before I could find words to reply, the figure had ceased to grasp my wrist, the phosphoric lights expired, and the graves were closed with a sudden violence, while from out them arose a tumult of despairing cries, saying again: "Is it not -- O, God, is it not a very pitiful sight?"
Phantasies such as these, presenting themselves at night, extended their terrific influence far into my waking hours. My nerves became thoroughly unstrung, and I fell a prey to perpetual horror. I hesitated to ride, or to walk, or to indulge in any exercise that would carry me from home. In fact, I no longer dared trust myself out of the immediate presence of those who were aware of my proneness to catalepsy, lest, falling into one of my usual fits, I should be buried before my real condition could be ascertained. I doubted the care, the fidelity of my dearest friends. I dreaded that, in some trance of more than customary duration, they might be prevailed upon to regard me as irrecoverable. I even went so far as to fear that, as I occasioned much trouble, they might be glad to consider any very protracted attack as sufficient excuse for getting rid of me altogether. It was in vain they endeavored to reassure me by the most solemn promises. I exacted the most sacred oaths, that under no circumstances they would bury me until decomposition had so materially advanced as to render farther preservation impossible. And, even then, my mortal terrors would listen to no reason -- would accept no consolation. I entered into a series of elaborate precautions. Among other things, I had the family vault so remodelled as to admit of being readily opened from within. The slightest pressure upon a long lever that extended far into the tomb would cause the iron portal to fly back. There were arrangements also for the free admission of air and light, and convenient receptacles for food and water, within immediate reach of the coffin intended for my reception. This coffin was warmly and softly padded, and was provided with a lid, fashioned upon the principle of the vault-door, with the addition of springs so contrived that the feeblest movement of the body would be sufficient to set it at liberty. Besides all this, there was suspended from the roof of the tomb, a large bell, the rope of which, it was designed, should extend through a hole in the coffin, and so be fastened to one of the hands of the corpse. But, alas? what avails the vigilance against the Destiny of man? Not even these well-contrived securities sufficed to save from the uttermost agonies of living inhumation, a wretch to these agonies foredoomed!
There arrived an epoch -- as often before there had arrived -- in which I found myself emerging from total unconsciousness into the first feeble and indefinite sense of existence. Slowly -- with a tortoise gradation -- approached the faint gray dawn of the psychal day. A torpid uneasiness. An apathetic endurance of dull pain. No care -- no hope -- no effort. Then, after a long interval, a ringing in the ears; then, after a lapse still longer, a prickling or tingling sensation in the extremities; then a seemingly eternal period of pleasurable quiescence, during which the awakening feelings are struggling into thought; then a brief re-sinking into non-entity; then a sudden recovery. At length the slight quivering of an eyelid, and immediately thereupon, an electric shock of a terror, deadly and indefinite, which sends the blood in torrents from the temples to the heart. And now the first positive effort to think. And now the first endeavor to remember. And now a partial and evanescent success. And now the memory has so far regained its dominion, that, in some measure, I am cognizant of my state. I feel that I am not awaking from ordinary sleep. I recollect that I have been subject to catalepsy. And now, at last, as if by the rush of an ocean, my shuddering spirit is overwhelmed by the one grim Danger -- by the one spectral and ever-prevalent idea.
For some minutes after this fancy possessed me, I remained without motion. And why? I could not summon courage to move. I dared not make the effort which was to satisfy me of my fate -- and yet there was something at my heart which whispered me it was sure. Despair -- such as no other species of wretchedness ever calls into being -- despair alone urged me, after long irresolution, to uplift the heavy lids of my eyes. I uplifted them. It was dark -- all dark. I knew that the fit was over. I knew that the crisis of my disorder had long passed. I knew that I had now fully recovered the use of my visual faculties -- and yet it was dark -- all dark -- the intense and utter raylessness of the Night that endureth for evermore.
I endeavored to shriek-, and my lips and my parched tongue moved convulsively together in the attempt -- but no voice issued from the cavernous lungs, which oppressed as if by the weight of some incumbent mountain, gasped and palpitated, with the heart, at every elaborate and struggling inspiration.
The movement of the jaws, in this effort to cry aloud, showed me that they were bound up, as is usual with the dead. I felt, too, that I lay upon some hard substance, and by something similar my sides were, also, closely compressed. So far, I had not ventured to stir any of my limbs -- but now I violently threw up my arms, which had been lying at length, with the wrists crossed. They struck a solid wooden substance, which extended above my person at an elevation of not more than six inches from my face. I could no longer doubt that I reposed within a coffin at last.
And now, amid all my infinite miseries, came sweetly the cherub Hope -- for I thought of my precautions. I writhed, and made spasmodic exertions to force open the lid: it would not move. I felt my wrists for the bell-rope: it was not to be found. And now the Comforter fled for ever, and a still sterner Despair reigned triumphant; for I could not help perceiving the absence of the paddings which I had so carefully prepared -- and then, too, there came suddenly to my nostrils the strong peculiar odor of moist earth. The conclusion was irresistible. I was not within the vault. I had fallen into a trance while absent from home-while among strangers -- when, or how, I could not remember -- and it was they who had buried me as a dog -- nailed up in some common coffin -- and thrust deep, deep, and for ever, into some ordinary and nameless grave.
As this awful conviction forced itself, thus, into the innermost chambers of my soul, I once again struggled to cry aloud. And in this second endeavor I succeeded. A long, wild, and continuous shriek, or yell of agony, resounded through the realms of the subterranean Night.
"Hillo! hillo, there!" said a gruff voice, in reply.
"What the devil's the matter now!" said a second.
"Get out o' that!" said a third.
"What do you mean by yowling in that ere kind of style, like a cattymount?" said a fourth; and hereupon I was seized and shaken without ceremony, for several minutes, by a junto of very rough-looking individuals. They did not arouse me from my slumber -- for I was wide awake when I screamed -- but they restored me to the full possession of my memory.
This adventure occurred near Richmond, in Virginia. Accompanied by a friend, I had proceeded, upon a gunning expedition, some miles down the banks of the James River. Night approached, and we were overtaken by a storm. The cabin of a small sloop lying at anchor in the stream, and laden with garden mould, afforded us the only available shelter. We made the best of it, and passed the night on board. I slept in one of the only two berths in the vessel -- and the berths of a sloop of sixty or twenty tons need scarcely be described. That which I occupied had no bedding of any kind. Its extreme width was eighteen inches. The distance of its bottom from the deck overhead was precisely the same. I found it a matter of exceeding difficulty to squeeze myself in. Nevertheless, I slept soundly, and the whole of my vision -- for it was no dream, and no nightmare -- arose naturally from the circumstances of my position -- from my ordinary bias of thought -- and from the difficulty, to which I have alluded, of collecting my senses, and especially of regaining my memory, for a long time after awaking from slumber. The men who shook me were the crew of the sloop, and some laborers engaged to unload it. From the load itself came the earthly smell. The bandage about the jaws was a silk handkerchief in which I had bound up my head, in default of my customary nightcap.
The tortures endured, however, were indubitably quite equal for the time, to those of actual sepulture. They were fearfully -- they were inconceivably hideous; but out of Evil proceeded Good; for their very excess wrought in my spirit an inevitable revulsion. My soul acquired tone -- acquired temper. I went abroad. I took vigorous exercise. I breathed the free air of Heaven. I thought upon other subjects than Death. I discarded my medical books. "Buchan" I burned. I read no "Night Thoughts" -- no fustian about churchyards -- no bugaboo tales -- such as this. In short, I became a new man, and lived a man's life. From that memorable night, I dismissed forever my charnel apprehensions, and with them vanished the cataleptic disorder, of which, perhaps, they had been less the consequence than the cause.
There are moments when, even to the sober eye of Reason, the world of our sad Humanity may assume the semblance of a Hell -- but the imagination of man is no Carathis, to explore with impunity its every cavern. Alas! the grim legion of sepulchral terrors cannot be regarded as altogether fanciful -- but, like the Demons in whose company Afrasiab made his voyage down the Oxus, they must sleep, or they will devour us -- they must be suffered to slumber, or we perish.
Short Story: The Stranger by Katherine Mansfield (1888-1923)
July 25, 2008 by brighteyez
by Katherine Mansfield (1888-1923)
It seemed to the little crowd on the wharf that she was never going to move again. There she lay, immense, motionless on the grey crinkled water, a loop of smoke above her, an immense flock of gulls screaming and diving after the galley droppings at the stern. You could just see little couples parading - little flies walking up and down the dish on the grey crinkled tablecloth. Other flies clustered and swarmed at the edge. Now there was a gleam of white on the lower deck - the cook's apron or the stewardess perhaps. Now a tiny black spider raced up the ladder on to the bridge.
In the front of the crowd a strong-looking, middle-aged man, dressed very well, very snugly in a grey overcoat, grey silk scarf, thick gloves and dark felt hat, marched up and down, twirling his folded umbrella. He seemed to be the leader of the little crowd on the wharf and at the same time to keep them together. He was something between the sheep-dog and the shepherd.
But what a fool - what a fool he had been not to bring any glasses! There wasn't a pair of glasses between the whole lot of them.
"Curious thing, Mr. Scott, that none of us thought of glasses. We might have been able to stir 'em up a bit. We might have managed a little signalling. 'Don't hesitate to land. Natives harmless.' Or: 'A welcome awaits you. All is forgiven.' What? Eh?"
Mr. Hammond's quick, eager glance, so nervous and yet so friendly and confiding, took in everybody on the wharf, roped in even those old chaps lounging against the gangways. They knew, every man-jack of them, that Mrs. Hammond was on that boat, and that he was so tremendously excited it never entered his head not to believe that this marvellous fact meant something to them too. It warmed his heart towards them. They were, he decided, as decent a crowd of people - Those old chaps over by the gangways, too - fine, solid old chaps. What chests - by Jove! And he squared his own, plunged his thick-gloved hands into his pockets, rocked from heel to toe.
"Yes, my wife's been in Europe for the last ten months. On a visit to our eldest girl, who was married last year. I brought her up here, as far as Salisbury, myself. So I thought I'd better come and fetch her back. Yes, yes, yes." The shrewd grey eyes narrowed again and searched anxiously, quickly, the motionless liner. Again his overcoat was unbuttoned. Out came the thin, butter-yellow watch again, and for the twentieth - fiftieth - hundredth time he made the calculation.
"Let me see now. It was two fifteen when the doctor's launch went off. Two fifteen. It is now exactly twenty-eight minutes past four. That is to say, the doctor's been gone two hours and thirteen minutes. Two hours and thirteen minutes! Whee-ooh!" He gave a queer little half-whistle and snapped his watch to again. "But I think we should have been told if there was anything up - don't you, Mr. Gaven?"
"Oh, yes, Mr. Hammond! I don't think there's anything to - anything to worry about," said Mr. Gaven, knocking out his pipe against the heel of his shoe. "At the same time--"
"Quite so! Quite so!" cried Mr. Hammond. "Dashed annoying!" He paced quickly up and down and came back again to his stand between Mr. and Mrs. Scott and Mr. Gaven. "It's getting quite dark, too," and he waved his folded umbrella as though the dusk at least might have had the decency to keep off for a bit. But the dusk came slowly, spreading like a slow stain over the water. Little Jean Scott dragged at her mother's hand.
"I wan' my tea, mammy!" she wailed.
"I expect you do," said Mr. Hammond. "I expect all these ladies want their tea." And his kind, flushed, almost pitiful glance roped them all in again. He wondered whether Janey was having a final cup of tea in the saloon out there. He hoped so; he thought not. It would be just like her not to leave the deck. In that case perhaps the deck steward would bring her up a cup. If he'd been there he'd have got it for her - somehow. And for a moment he was on deck, standing over her, watching her little hand fold round the cup in the way she had, while she drank the only cup of tea to be got on board ... But now he was back here, and the Lord only knew when that cursed Captain would stop hanging about in the stream. He took another turn, up and down, up and down. He walked as far as the cab-stand to make sure his driver hadn't disappeared; back he swerved again to the little flock huddled in the shelter of the banana crates. Little Jean Scott was still wanting her tea. Poor little beggar! He wished he had a bit of chocolate on him.
"Here, Jean!" he said. "Like a lift up?" And easily, gently, he swung the little girl on to a higher barrel. The movement of holding her, steadying her, relieved him wonderfully, lightened his heart.
"Hold on," he said, keeping an arm round her.
"Oh, don't worry about Jean, Mr. Hammond!" said Mrs. Scott.
"That's all right, Mrs. Scott. No trouble. It's a pleasure. Jean's a little pal of mine, aren't you, Jean?"
"Yes, Mr. Hammond," said Jean, and she ran her finger down the dent of his felt hat.
But suddenly she caught him by the ear and gave a loud scream. "Lo-ok, Mr. Hammond! She's moving! Look, she's coming in!"
By Jove! So she was. At last! She was slowly, slowly turning round. A bell sounded far over the water and a great spout of steam gushed into the air. The gulls rose; they fluttered away like bits of white paper. And whether that deep throbbing was her engines or his heart Mr. Hammond couldn't say. He had to nerve himself to bear it, whatever it was. At that moment old Captain Johnson, the harbour-master, came striding down the wharf, a leather portfolio under his arm.
"Jean'll be all right," said Mr. Scott. "I'll hold her." He was just in time. Mr. Hammond had forgotten about Jean. He sprang away to greet old Captain Johnson.
"Well, Captain," the eager, nervous voice rang out again, "you've taken pity on us at last."
"It's no good blaming me, Mr. Hammond," wheezed old Captain Johnson, staring at the liner. "You got Mrs. Hammond on board, ain't yer?"
"Yes, yes!" said Hammond, and he kept by the harbour-master's side. "Mrs. Hammond's there. Hul-lo! We shan't be long now!"
With her telephone ring-ringing, the thrum of her screw filling the air, the big liner bore down on them, cutting sharp through the dark water so that big white shavings curled to either side. Hammond and the harbour-master kept in front of the rest. Hammond took off his hat; he raked the decks - they were crammed with passengers; he waved his hat and bawled a loud, strange "Hul-lo!" across the water; and then turned round and burst out laughing and said something - nothing - to old Captain Johnson.
"Seen her?" asked the harbour-master.
"No, not yet. Steady - wait a bit!" And suddenly, between two great clumsy idiots - "Get out of the way there!" he signed with his umbrella - he saw a hand raised - a white glove shaking a handkerchief. Another moment, and - thank God, thank God! - there she was. There was Janey. There was Mrs. Hammond, yes, yes, yes - standing by the rail and smiling and nodding and waving her handkerchief.
"Well that's first class - first class! Well, well, well!" He positively stamped. Like lightning he drew out his cigar-case and offered it to old Captain Johnson. "Have a cigar, Captain! They're pretty good. Have a couple! Here" - and he pressed all the cigars in the case on the harbour-master - "I've a couple of boxes up at the hotel."
"Thanks, Mr. Hammond!" wheezed old Captain Johnson.
Hammond stuffed the cigar-case back. His hands were shaking, but he'd got hold of himself again. He was able to face Janey. There she was, leaning on the rail, talking to some woman and at the same time watching him, ready for him. It struck him, as the gulf of water closed, how small she looked on that huge ship. His heart was wrung with such a spasm that he could have cried out. How little she looked to have come all that long way and back by herself! Just like her, though. Just like Janey. She had the courage of a - And now the crew had come forward and parted the passengers; they had lowered the rails for the gangways.
The voices on shore and the voices on board flew to greet each other.
"All well?"
"All well."
"How's mother?"
"Much better."
"Hullo, Jean!"
"Hillo, Aun' Emily!"
"Had a good voyage?"
"Splendid!"
"Shan't be long now!"
"Not long now."
The engines stopped. Slowly she edged to the wharf-side.
"Make way there - make way - make way!" And the wharf hands brought the heavy gangways along at a sweeping run. Hammond signed to Janey to stay where she was. The old harbor-master stepped forward; he followed. As to "ladies first," or any rot like that, it never entered his head.
"After you, Captain!" he cried genially. And, treading on the old man's heels, he strode up the gangway on to the deck in a bee-line to Janey, and Janey was clasped in his arms.
"Well, well, well! Yes, yes! Here we are at last!" he stammered. It was all he could say. And Janey emerged, and her cool little voice - the only voice in the world for him - said,
"Well, darling! Have you been waiting long?"
No; not long. Or, at any rate, it didn't matter. It was over now. But the point was, he had a cab waiting at the end of the wharf. Was she ready to go off. Was her luggage ready? In that case they could cut off sharp with her cabin luggage and let the rest go hang until to-morrow. He bent over her and she looked up with her familiar half-smile. She was just the same. Not a day changed. Just as he'd always known her. She laid her small hand on his sleeve.
"How are the children, John?" she asked.
(Hang the children!) "Perfectly well. Never better in their lives."
"Haven't they sent me letters?"
"Yes, yes - of course! I've left them at the hotel for you to digest later on."
"We can't go quite so fast," said she. "I've got people to say good-bye to - and then there's the Captain." As his face fell she gave his arm a small understanding squeeze. "If the Captain comes off the bridge I want you to thank him for having looked after your wife so beautifully." Well, he'd got her. If she wanted another ten minutes - As he gave way she was surrounded. The whole first-class seemed to want to say good-bye to Janey.
"Good-bye, dear Mrs. Hammond! And next time you're in Sydney I'll expect you."
"Darling Mrs. Hammond! You won't forget to write to me, will you?"
"Well, Mrs. Hammond, what this boat would have been without you!"
It was as plain as a pikestaff that she was by far the most popular woman on board. And she took it all - just as usual. Absolutely composed. Just her little self - just Janey all over; standing there with her veil thrown back. Hammond never noticed what his wife had on. It was all the same to him whatever she wore. But to-day he did notice that she wore a black "costume" - didn't they call it? - with white frills, trimmings he supposed they were, at the neck and sleeves. All this while Janey handed him round.
"John, dear!" And then: "I want to introduce you to--"
Finally they did escape, and she led the way to her state-room. To follow Janey down the passage that she knew so well - that was so strange to him; to part the green curtains after her and to step into the cabin that had been hers gave him exquisite happiness. But - confound it! - the stewardess was there on the floor, strapping up the rugs.
"That's the last, Mrs. Hammond," said the stewardess, rising and pulling down her cuffs.
He was introduced again, and then Janey and the stewardess disappeared into the passage. He heard whisperings. She was getting the tipping business over, he supposed. He sat down on the striped sofa and took his hat off. There were the rugs she had taken with her; they looked good as new. All her luggage looked fresh, perfect. The labels were written in her beautiful little clear hand - "Mrs. John Hammond."
"Mrs. John Hammond!" He gave a long sigh of content and leaned back, crossing his arms. The strain was over. He felt he could have sat there for ever sighing his relief - the relief at being rid of that horrible tug, pull, grip on his heart. The danger was over. That was the feeling. They were on dry land again.
But at that moment Janey's head came round the corner.
"Darling - do you mind? I just want to go and say good-bye to the doctor."
Hammond started up. "I'll come with you."
"No, no!" she said. "Don't bother. I'd rather not. I'll not be a minute."
And before he could answer she was gone. He had half a mind to run after her; but instead he sat down again.
Would she really not be long? What was the time now? Out came the watch; he stared at nothing. That was rather queer of Janey, wasn't it? Why couldn't she have told the stewardess to say good-bye for her? Why did she have to go chasing after the ship's doctor? She could have sent a note from the hotel even if the affair had been urgent. Urgent? Did it - could it mean that she had been ill on the voyage - she was keeping something from him? That was it! He seized his hat. He was going off to find that fellow and to wring the truth out of him at all costs. He thought he'd noticed just something. She was just a touch too calm - too steady. From the very first moment -
The curtains rang. Janey was back. He jumped to his feet.
"Janey, have you been ill on this voyage? You have!"
"Ill?" Her airy little voice mocked him. She stepped over the rugs, and came up close, touched his breast, and looked up at him.
"Darling," she said, "don't frighten me. Of course I haven't! Whatever makes you think I have? Do I look ill?"
But Hammond didn't see her. He only felt that she was looking at him and that there was no need to worry about anything. She was here to look after things. It was all right. Everything was.
The gentle pressure of her hand was so calming that he put his over hers to hold it there. And she said:
"Stand still. I want to look at you. I haven't seen you yet. You've had your beard beautifully trimmed, and you look - younger, I think, and decidedly thinner! Bachelor life agrees with you."
"Agrees with me!" He groaned for love and caught her close again. And again, as always, he had the feeling that he was holding something that never was quite his - his. Something too delicate, too precious, that would fly away once he let go.
"For God's sake let's get off to the hotel so that we can be by ourselves!" And he rang the bell hard for some one to look sharp with the luggage.
Walking down the wharf together she took his arm. He had her on his arm again. And the difference it made to get into the cab after Janey - to throw the red- and-yellow striped blanket round them both - to tell the driver to hurry because neither of them had had any tea. No more going without his tea or pouring out his own. She was back. He turned to her, squeezed her hand, and said gently, teasingly, in the "special" voice he had for her: "Glad to be home again, dearie?" She smiled; she didn't even bother to answer, but gently she drew his hand away as they came to the brighter streets.
"We've got the best room in the hotel," he said. "I wouldn't be put off with another. And I asked the chambermaid to put in a bit of a fire in case you felt chilly. She's a nice, attentive girl. And I thought now we were here we wouldn't bother to go home to-morrow, but spend the day looking round and leave the morning after. Does that suit you? There's no hurry, is there? The children will have you soon enough ... I thought a day's sight-seeing might make a nice break in your journey - eh, Janey?"
"Have you taken the tickets for the day after?" she asked.
"I should think I have!" He unbuttoned his overcoat and took out his bulging pocket-book. "Here we are! I reserved a first-class carriage to Cooktown. There it is - 'Mr. and Mrs. John Hammond.' I thought we might as well do ourselves comfortably, and we don't want other people butting in, do we? But if you'd like to stop here a bit longer--?"
"Oh, no!" said Janey quickly. "Not for the world! The day after to-morrow, then. And the children--"
But they had reached the hotel. The manager was standing in the broad, brilliantly-lighted porch. He came down to greet them. A porter ran from the hall for their boxes.
"Well, Mr. Arnold, here's Mrs. Hammond at last!"
The manager led them through the hall himself and pressed the elevator-bell. Hammond knew there were business pals of his sitting at the little hall tables having a drink before dinner. But he wasn't going to risk interruption; he looked neither to the right nor the left. They could think what they pleased. If they didn't understand, the more fools they - and he stepped out of the lift, unlocked the door of their room, and shepherded Janey in. The door shut. Now, at last, they were alone together. He turned up the light. The curtains were drawn; the fire blazed. He flung his hat on to the huge bed and went towards her.
But - would you believe it! - again they were interrupted. This time it was the porter with the luggage. He made two journeys of it, leaving the door open in between, taking his time, whistling through his teeth in the corridor. Hammond paced up and down the room, tearing off his gloves, tearing off his scarf. Finally he flung his overcoat on to the bedside.
At last the fool was gone. The door clicked. Now they were alone. Said Hammond: "I feel I'll never have you to myself again. These cursed people! Janey" - and he bent his flushed, eager gaze upon her - "let's have dinner up here. If we go down to the restaurant we'll be interrupted, and then there's the confounded music" (the music he'd praised so highly, applauded so loudly last night!). "We shan't be able to hear each other speak. Let's have something up here in front of the fire. It's too late for tea. I'll order a little supper, shall I? How does that idea strike you?"
"Do, darling!" said Janey. "And while you're away - the children's letters--"
"Oh, later on will do!" said Hammond.
"But then we'd get it over," said Janey. "And I'd first have time to--"
"Oh, I needn't go down!" explained Hammond. "I'll just ring and give the order ... you don't want to send me away, do you?"
Janey shook her head and smiled.
"But you're thinking of something else. You're worrying about something," said Hammond. "What is it? Come and sit here - come and sit on my knee before the fire."
"I'll just unpin my hat," said Janey, and she went over to the dressing-table. "A-ah!" She gave a little cry.
"What is it?"
"Nothing, darling. I've just found the children's letters. That's all right! They will keep. No hurry now!" She turned to him, clasping them. She tucked them into her frilled blouse. She cried quickly, gaily: "Oh, how typical this dressing-table is of you!"
"Why? What's the matter with it?" said Hammond.
"If it were floating in eternity I should say 'John!'" laughed Janey, staring at the big bottle of hair tonic, the wicker bottle of eau-de-Cologne, the two hair- brushes, and a dozen new collars tied with pink tape. "Is this all your luggage?"
"Hang my luggage!" said Hammond; but all the same he liked being laughed at by Janey. "Let's talk. Let's get down to things. Tell me" - and as Janey perched on his knees he leaned back and drew her into the deep, ugly chair - "tell me you're really glad to be back, Janey."
"Yes, darling, I am glad," she said.
But just as when he embraced her he felt she would fly away, so Hammond never knew - never knew for dead certain that she was as glad as he was. How could he know? Would he ever know? Would he always have this craving - this pang like hunger, somehow, to make Janey so much part of him that there wasn't any of her to escape? He wanted to blot out everybody, everything. He wished now he'd turned off the light. That might have brought her nearer. And now those letters from the children rustled in her blouse. He could have chucked them into the fire.
"Janey," he whispered.
"Yes, dear?" She lay on his breast, but so lightly, so remotely. Their breathing rose and fell together.
"Janey!"
"What is it?"
"Turn to me," he whispered. A slow, deep flush flowed into his forehead. "Kiss me, Janey! You kiss me!"
It seemed to him there was a tiny pause - but long enough for him to suffer torture - before her lips touched his, firmly, lightly - kissing them as she always kissed him, as though the kiss - how could he describe it? - confirmed what they were saying, signed the contract. But that wasn't what he wanted; that wasn't at all what he thirsted for. He felt suddenly, horrible tired.
"If you knew," he said, opening his eyes, "what it's been like - waiting to-day. I thought the boat never would come in. There we were, hanging about. What kept you so long?"
She made no answer. She was looking away from him at the fire. The flames hurried - hurried over the coals, flickered, fell.
"Not asleep, are you?" said Hammond, and he jumped her up and down.
"No," she said. And then: "Don't do that, dear. No, I was thinking. As a matter of fact," she said, "one of the passengers died last night - a man. That's what held us up. We brought him in - I mean, he wasn't buried at sea. So, of course, the ship's doctor and the shore doctor--"
"What was it?" asked Hammond uneasily. He hated to hear of death. He hated this to have happened. It was, in some queer way, as though he and Janey had met a funeral on their way to the hotel.
"Oh, it wasn't anything in the least infectious!" said Janey. She was speaking scarcely above her breath. "It was heart." A pause. "Poor fellow!" she said. "Quite young." And she watched the fire flicker and fall. "He died in my arms," said Janey.
The blow was so sudden that Hammond thought he would faint. He couldn't move; he couldn't breathe. He felt all his strength flowing - flowing into the big dark chair, and the big dark chair held him fast, gripped him, forced him to bear it.
"What?" he said dully. "What's that you say?"
"The end was quite peaceful," said the small voice. "He just" - and Hammond saw her lift her gentle hand - "breathed his life away at the end." And her hand fell.
"Who - else was there?" Hammond managed to ask.
"Nobody. I was alone with him."
Ah, my God, what was she saying! What was she doing to him! This would kill him! And all the while she spoke:
"I saw the change coming and I sent the steward for the doctor, but the doctor was too late. He couldn't have done anything, anyway."
"But - why you, why you?" moaned Hammond.
At that Janey turned quickly, quickly searched his face.
"You don't mind, John, do you?" she asked. "You don't - It's nothing to do with you and me."
Somehow or other he managed to shake some sort of smile at her. Somehow or other he stammered: "No - go - on, go on! I want you to tell me."
"But, John darling--"
"Tell me, Janey!"
"There's nothing to tell," she said, wondering. "He was one of the first-class passengers. I saw he was very ill when he came on board ... But he seemed to be so much better until yesterday. He had a severe attack in the afternoon - excitement - nervousness, I think, about arriving. And after that he never recovered."
"But why didn't the stewardess--"
"Oh, my dear - the stewardess!" said Janey. "What would he have felt? And besides ... he might have wanted to leave a message ... to--"
"Didn't he?" muttered Hammond. "Didn't he say anything?"
"No, darling, not a word!" She shook her head softly. "All the time I was with him he was too weak ... he was too weak even to move a finger ..."
Janey was silent. But her words, so light, so soft, so chill, seemed to hover in the air, to rain into his breast like snow.
The fire had gone red. Now it fell in with a sharp sound and the room was colder. Cold crept up his arms. The room was huge, immense, glittering. It filled his whole world. There was the great blind bed, with his coat flung across it like some headless man saying his prayers. There was the luggage, ready to be carried away again, anywhere, tossed into trains, carted on to boats.
... "He was too weak. He was too weak to move a finger." And yet he died in Janey's arms. She - who'd never - never once in all these years - never on one single solitary occasion--
No; he mustn't think of it. Madness lay in thinking of it. No, he wouldn't face it. He couldn't stand it. It was too much to bear!
And now Janey touched his tie with her fingers. She pinched the edges of the tie together.
"You're not - sorry I told you, John darling? It hasn't made you sad? It hasn't spoilt our evening - our being alone together?"
But at that he had to hide his face. He put his face into her bosom and his arms enfolded her.
Spoilt their evening! Spoilt their being alone together! They would never be alone together again.
Short Story: A Dead Woman's Secret by Guy de Maupassant (1850-1893)
July 25, 2008 by brighteyez
by Guy de Maupassant (1850-1893)
The woman had died without pain, quietly, as a woman should whose life had been blameless. Now she was resting in her bed, lying on her back, her eyes closed, her features calm, her long white hair carefully arranged as though she had done it up ten minutes before dying. The whole pale countenance of the dead woman was so collected, so calm, so resigned that one could feel what a sweet soul had lived in that body, what a quiet existence this old soul had led, how easy and pure the death of this parent had been.
Kneeling beside the bed, her son, a magistrate with inflexible principles, and her daughter, Marguerite, known as Sister Eulalie, were weeping as though their hearts would break. She had, from childhood up, armed them with a strict moral code, teaching them religion, without weakness, and duty, without compromise. He, the man, had become a judge and handled the law as a weapon with which he smote the weak ones without pity. She, the girl, influenced by the virtue which had bathed her in this austere family, had become the bride of the Church through her loathing for man.
They had hardly known their father, knowing only that he had made their mother most unhappy, without being told any other details.
The nun was wildly-kissing the dead woman's hand, an ivory hand as white as the large crucifix lying across the bed. On the other side of the long body the other hand seemed still to be holding the sheet in the death grasp; and the sheet had preserved the little creases as a memory of those last movements which precede eternal immobility.
A few light taps on the door caused the two sobbing heads to look up, and the priest, who had just come from dinner, returned. He was red and out of breath from his interrupted digestion, for he had made himself a strong mixture of coffee and brandy in order to combat the fatigue of the last few nights and of the wake which was beginning.
He looked sad, with that assumed sadness of the priest for whom death is a bread winner. He crossed himself and approaching with his professional gesture: "Well, my poor children! I have come to help you pass these last sad hours." But Sister Eulalie suddenly arose. "Thank you, "father, but my brother and I prefer to remain alone with her. This is our last chance to see her, and we wish to be together, all three of us, as we--we--used to be when we were small and our poor mo--mother----"
Grief and tears stopped her; she could not continue.
Once more serene, the priest bowed, thinking of his bed. "As you wish, my children." He kneeled, crossed himself, prayed, arose and went out quietly, murmuring: "She was a saint!"
They remained alone, the dead woman and her children. The ticking of the clock, hidden in the shadow, could be heard distinctly, and through the open window drifted in the sweet smell of hay and of woods, together with the soft moonlight. No other noise could be heard over the land except the occasional croaking of the frog or the chirping of some belated insect. An infinite peace, a divine melancholy, a silent serenity surrounded this dead woman, seemed to be breathed out from her and to appease nature itself.
Then the judge, still kneeling, his head buried in the bed clothes, cried in a voice altered by grief and deadened by the sheets and blankets: "Mamma, mamma, mamma!" And his sister, frantically striking her forehead against the woodwork, convulsed, twitching and trembling as in an epileptic fit, moaned: "Jesus, Jesus, mamma, Jesus!" And both of them, shaken by a storm of grief, gasped and choked.
The crisis slowly calmed down and they began to weep quietly, just as on the sea when a calm follows a squall.
A rather long time passed and they arose and looked at their dead. And the memories, those distant memories, yesterday so dear, to-day so torturing, came to their minds with all the little forgotten details, those little intimate familiar details which bring back to life the one who has left. They recalled to each other circumstances, words, smiles, intonations of the mother who was no longer to speak to them. They saw her again happy and calm. They remembered things which she had said, and a little motion of the hand, like beating time, which she often used when emphasizing something important.
And they loved her as they never had loved her before. They measured the depth of their grief, and thus they discovered how lonely they would find themselves.
It was their prop, their guide, their whole youth, all the best part of their lives which was disappearing. It was their bond with life, their mother, their mamma, the connecting link with their forefathers which they would thenceforth miss. They now became solitary, lonely beings; they could no longer look back.
The nun said to her brother: "You remember how mamma used always to read her old letters; they are all there in that drawer. Let us, in turn, read them; let us live her whole life through tonight beside her! It would be like a road to the cross, like making the acquaintance of her mother, of our grandparents, whom we never knew, but whose letters are there and of whom she so often spoke, do you remember?"
Out of the drawer they took about ten little packages of yellow paper, tied with care and arranged one beside the other. They threw these relics on the bed and chose one of them on which the word "Father" was written. They opened and read it.
It was one of those old-fashioned letters which one finds in old family desk drawers, those epistles which smell of another century. The first one started: "My dear," another one: "My beautiful little girl," others: "My dear child," or: "My dear (laughter." And suddenly the nun began to read aloud, to read over to the dead woman her whole history, all her tender memories. The judge, resting his elbow on the bed, was listening with his eyes fastened on his mother. The motionless body seemed happy.
Sister Eulalie, interrupting herself, said suddenly:
"These ought to be put in the grave with her; they ought to be used as a shroud and she ought to be buried in it." She took another package, on which no name was written. She began to read in a firm voice: "My adored one, I love you wildly. Since yesterday I have been suffering the tortures of the damned, haunted by our memory. I feel your lips against mine, your eyes in mine, your breast against mine. I love you, I love you! You have driven me mad. My arms open, I gasp, moved by a wild desire to hold you again. My whole soul and body cries out for you, wants you. I have kept in my mouth the taste of your kisses--"
The judge had straightened himself up. The nun stopped reading. He snatched the letter from her and looked for the signature. There was none, but only under the words, "The man who adores you," the name "Henry." Their father's name was Rene. Therefore this was not from him. The son then quickly rummaged through the package of letters, took one out and read: "I can no longer live without your caresses." Standing erect, severe as when sitting on the bench, he looked unmoved at the dead woman. The nun, straight as a statue, tears trembling in the corners of her eyes, was watching her brother, waiting. Then he crossed the room slowly, went to the window and stood there, gazing out into the dark night.
When he turned around again Sister Eulalie, her eyes dry now, was still standing near the bed, her head bent down.
He stepped forward, quickly picked up the letters and threw them pell-mell back into the drawer. Then he closed the curtains of the bed.
When daylight made the candles on the table turn pale the son slowly left his armchair, and without looking again at the mother upon whom he had passed sentence, severing the tie that united her to son and daughter, he said slowly: "Let us now retire, sister."
Short Story: The Lottery by Shirley Jackson
July 25, 2008 by brighteyez
by Shirley Jackson
The morning of June 27th was clear and sunny, with the fresh warmth of a full-summer day; the flowers were blossoming profusely and the grass was richly green. The people of the village began to gather in the square, between the post office and the bank, around ten o'clock; in some towns there were so many people that the lottery took two days and had to be started on June 2th. but in this village, where there were only about three hundred people, the whole lottery took less than two hours, so it could begin at ten o'clock in the morning and still be through in time to allow the villagers to get home for noon dinner.
The children assembled first, of course. School was recently over for the summer, and the feeling of liberty sat uneasily on most of them; they tended to gather together quietly for a while before they broke into boisterous play. and their talk was still of the classroom and the teacher, of books and reprimands. Bobby Martin had already stuffed his pockets full of stones, and the other boys soon followed his example, selecting the smoothest and roundest stones; Bobby and Harry Jones and Dickie Delacroix-- the villagers pronounced this name "Dellacroy"--eventually made a great pile of stones in one corner of the square and guarded it against the raids of the other boys. The girls stood aside, talking among themselves, looking over their shoulders at rolled in the dust or clung to the hands of their older brothers or sisters.
Soon the men began to gather. surveying their own children, speaking of planting and rain, tractors and taxes. They stood together, away from the pile of stones in the corner, and their jokes were quiet and they smiled rather than laughed. The women, wearing faded house dresses and sweaters, came shortly after their menfolk. They greeted one another and exchanged bits of gossip as they went to join their husbands. Soon the women, standing by their husbands, began to call to their children, and the children came reluctantly, having to be called four or five times. Bobby Martin ducked under his mother's grasping hand and ran, laughing, back to the pile of stones. His father spoke up sharply, and Bobby came quickly and took his place between his father and his oldest brother.
The lottery was conducted--as were the square dances, the teen club, the Halloween program--by Mr. Summers. who had time and energy to devote to civic activities. He was a round-faced, jovial man and he ran the coal business, and people were sorry for him. because he had no children and his wife was a scold. When he arrived in the square, carrying the black wooden box, there was a murmur of conversation among the villagers, and he waved and called. "Little late today, folks." The postmaster, Mr. Graves, followed him, carrying a three- legged stool, and the stool was put in the center of the square and Mr. Summers set the black box down on it. The villagers kept their distance, leaving a space between themselves and the stool. and when Mr. Summers said, "Some of you fellows want to give me a hand?" there was a hesitation before two men. Mr. Martin and his oldest son, Baxter. came forward to hold the box steady on the stool while Mr. Summers stirred up the papers inside it.
The original paraphernalia for the lottery had been lost long ago, and the black box now resting on the stool had been put into use even before Old Man Warner, the oldest man in town, was born. Mr. Summers spoke frequently to the villagers about making a new box, but no one liked to upset even as much tradition as was represented by the black box. There was a story that the present box had been made with some pieces of the box that had preceded it, the one that had been constructed when the first people settled down to make a village here. Every year, after the lottery, Mr. Summers began talking again about a new box, but every year the subject was allowed to fade off without anything's being done. The black box grew shabbier each year: by now it was no longer completely black but splintered badly along one side to show the original wood color, and in some places faded or stained.
Mr. Martin and his oldest son, Baxter, held the black box securely on the stool until Mr. Summers had stirred the papers thoroughly with his hand. Because so much of the ritual had been forgotten or discarded, Mr. Summers had been successful in having slips of paper substituted for the chips of wood that had been used for generations. Chips of wood, Mr. Summers had argued. had been all very well when the village was tiny, but now that the population was more than three hundred and likely to keep on growing, it was necessary to use something that would fit more easily into he black box. The night before the lottery, Mr. Summers and Mr. Graves made up the slips of paper and put them in the box, and it was then taken to the safe of Mr. Summers' coal company and locked up until Mr. Summers was ready to take it to the square next morning. The rest of the year, the box was put way, sometimes one place, sometimes another; it had spent one year in Mr. Graves's barn and another year underfoot in the post office. and sometimes it was set on a shelf in the Martin grocery and left there.
There was a great deal of fussing to be done before Mr. Summers declared the lottery open. There were the lists to make up--of heads of families. heads of households in each family. members of each household in each family. There was the proper swearing-in of Mr. Summers by the postmaster, as the official of the lottery; at one time, some people remembered, there had been a recital of some sort, performed by the official of the lottery, a perfunctory. tuneless chant that had been rattled off duly each year; some people believed that the official of the lottery used to stand just so when he said or sang it, others believed that he was supposed to walk among the people, but years and years ago this p3rt of the ritual had been allowed to lapse. There had been, also, a ritual salute, which the official of the lottery had had to use in addressing each person who came up to draw from the box, but this also had changed with time, until now it was felt necessary only for the official to speak to each person approaching. Mr. Summers was very good at all this; in his clean white shirt and blue jeans. with one hand resting carelessly on the black box. he seemed very proper and important as he talked interminably to Mr. Graves and the Martins.
Just as Mr. Summers finally left off talking and turned to the assembled villagers, Mrs. Hutchinson came hurriedly along the path to the square, her sweater thrown over her shoulders, and slid into place in the back of the crowd. "Clean forgot what day it was," she said to Mrs. Delacroix, who stood next to her, and they both laughed softly. "Thought my old man was out back stacking wood," Mrs. Hutchinson went on. "and then I looked out the window and the kids was gone, and then I remembered it was the twenty-seventh and came a-running." She dried her hands on her apron, and Mrs. Delacroix said, "You're in time, though. They're still talking away up there."
Mrs. Hutchinson craned her neck to see through the crowd and found her husband and children standing near the front. She tapped Mrs. Delacroix on the arm as a farewell and began to make her way through the crowd. The people separated good-humoredly to let her through: two or three people said. in voices just loud enough to be heard across the crowd, "Here comes your, Missus, Hutchinson," and "Bill, she made it after all." Mrs. Hutchinson reached her husband, and Mr. Summers, who had been waiting, said cheerfully. "Thought we were going to have to get on without you, Tessie." Mrs. Hutchinson said. grinning, "Wouldn't have me leave m'dishes in the sink, now, would you. Joe?," and soft laughter ran through the crowd as the people stirred back into position after Mrs. Hutchinson's arrival.
"Well, now." Mr. Summers said soberly, "guess we better get started, get this over with, so's we can go back to work. Anybody ain't here?"
"Dunbar." several people said. "Dunbar. Dunbar."
Mr. Summers consulted his list. "Clyde Dunbar." he said. "That's right. He's broke his leg, hasn't he? Who's drawing for him?"
"Me. I guess," a woman said. and Mr. Summers turned to look at her. "Wife draws for her husband." Mr. Summers said. "Don't you have a grown boy to do it for you, Janey?" Although Mr. Summers and everyone else in the village knew the answer perfectly well, it was the business of the official of the lottery to ask such questions formally. Mr. Summers waited with an expression of polite interest while Mrs. Dunbar answered.
"Horace's not but sixteen vet." Mrs. Dunbar said regretfully. "Guess I gotta fill in for the old man this year."
"Right." Sr. Summers said. He made a note on the list he was holding. Then he asked, "Watson boy drawing this year?"
A tall boy in the crowd raised his hand. "Here," he said. "I m drawing for my mother and me." He blinked his eyes nervously and ducked his head as several voices in the crowd said thin#s like "Good fellow, lack." and "Glad to see your mother's got a man to do it."
"Well," Mr. Summers said, "guess that's everyone. Old Man Warner make it?"
"Here," a voice said. and Mr. Summers nodded.
A sudden hush fell on the crowd as Mr. Summers cleared his throat and looked at the list. "All ready?" he called. "Now, I'll read the names--heads of families first--and the men come up and take a paper out of the box. Keep the paper folded in your hand without looking at it until everyone has had a turn. Everything clear?"
The people had done it so many times that they only half listened to the directions: most of them were quiet. wetting their lips. not looking around. Then Mr. Summers raised one hand high and said, "Adams." A man disengaged himself from the crowd and came forward. "Hi. Steve." Mr. Summers said. and Mr. Adams said. "Hi. Joe." They grinned at one another humorlessly and nervously. Then Mr. Adams reached into the black box and took out a folded paper. He held it firmly by one corner as he turned and went hastily back to his place in the crowd. where he stood a little apart from his family. not looking down at his hand.
"Allen." Mr. Summers said. "Anderson.... Bentham."
"Seems like there's no time at all between lotteries any more." Mrs. Delacroix said to Mrs. Graves in the back row.
"Seems like we got through with the last one only last week."
"Time sure goes fast.-- Mrs. Graves said.
"Clark.... Delacroix"
"There goes my old man." Mrs. Delacroix said. She held her breath while her husband went forward.
"Dunbar," Mr. Summers said, and Mrs. Dunbar went steadily to the box while one of the women said. "Go on. Janey," and another said, "There she goes."
"We're next." Mrs. Graves said. She watched while Mr. Graves came around from the side of the box, greeted Mr. Summers gravely and selected a slip of paper from the box. By now, all through the crowd there were men holding the small folded papers in their large hand. turning them over and over nervously Mrs. Dunbar and her two sons stood together, Mrs. Dunbar holding the slip of paper.
"Harburt.... Hutchinson."
"Get up there, Bill," Mrs. Hutchinson said. and the people near her laughed.
"Jones."
"They do say," Mr. Adams said to Old Man Warner, who stood next to him, "that over in the north village they're talking of giving up the lottery."
Old Man Warner snorted. "Pack of crazy fools," he said. "Listening to the young folks, nothing's good enough for them. Next thing you know, they'll be wanting to go back to living in caves, nobody work any more, live hat way for a while. Used to be a saying about 'Lottery in June, corn be heavy soon.' First thing you know, we'd all be eating stewed chickweed and acorns. There's always been a lottery," he added petulantly. "Bad enough to see young Joe Summers up there joking with everybody."
"Some places have already quit lotteries." Mrs. Adams said.
"Nothing but trouble in that," Old Man Warner said stoutly. "Pack of young fools."
"Martin." And Bobby Martin watched his father go forward. "Overdyke.... Percy."
"I wish they'd hurry," Mrs. Dunbar said to her older son. "I wish they'd hurry."
"They're almost through," her son said.
"You get ready to run tell Dad," Mrs. Dunbar said.
Mr. Summers called his own name and then stepped forward precisely and selected a slip from the box. Then he called, "Warner."
"Seventy-seventh year I been in the lottery," Old Man Warner said as he went through the crowd. "Seventy-seventh time."
"Watson" The tall boy came awkwardly through the crowd. Someone said, "Don't be nervous, Jack," and Mr. Summers said, "Take your time, son."
"Zanini."
After that, there was a long pause, a breathless pause, until Mr. Summers. holding his slip of paper in the air, said, "All right, fellows." For a minute, no one moved, and then all the slips of paper were opened. Suddenly, all the women began to speak at once, saving. "Who is it?," "Who's got it?," "Is it the Dunbars?," "Is it the Watsons?" Then the voices began to say, "It's Hutchinson. It's Bill," "Bill Hutchinson's got it."
"Go tell your father," Mrs. Dunbar said to her older son.
People began to look around to see the Hutchinsons. Bill Hutchinson was standing quiet, staring down at the paper in his hand. Suddenly. Tessie Hutchinson shouted to Mr. Summers. "You didn't give him time enough to take any paper he wanted. I saw you. It wasn't fair!"
"Be a good sport, Tessie." Mrs. Delacroix called, and Mrs. Graves said, "All of us took the same chance."
"Shut up, Tessie," Bill Hutchinson said.
"Well, everyone," Mr. Summers said, "that was done pretty fast, and now we've got to be hurrying a little more to get done in time." He consulted his next list. "Bill," he said, "you draw for the Hutchinson family. You got any other households in the Hutchinsons?"
"There's Don and Eva," Mrs. Hutchinson yelled. "Make them take their chance!"
"Daughters draw with their husbands' families, Tessie," Mr. Summers said gently. "You know that as well as anyone else."
"It wasn't fair," Tessie said.
"I guess not, Joe." Bill Hutchinson said regretfully. "My daughter draws with her husband's family; that's only fair. And I've got no other family except the kids."
"Then, as far as drawing for families is concerned, it's you," Mr. Summers said in explanation, "and as far as drawing for households is concerned, that's you, too. Right?"
"Right," Bill Hutchinson said.
"How many kids, Bill?" Mr. Summers asked formally.
"Three," Bill Hutchinson said.
"There's Bill, Jr., and Nancy, and little Dave. And Tessie and me."
"All right, then," Mr. Summers said. "Harry, you got their tickets back?"
Mr. Graves nodded and held up the slips of paper. "Put them in the box, then," Mr. Summers directed. "Take Bill's and put it in."
"I think we ought to start over," Mrs. Hutchinson said, as quietly as she could. "I tell you it wasn't fair. You didn't give him time enough to choose. Everybody saw that."
Mr. Graves had selected the five slips and put them in the box. and he dropped all the papers but those onto the ground. where the breeze caught them and lifted them off.
"Listen, everybody," Mrs. Hutchinson was saying to the people around her.
"Ready, Bill?" Mr. Summers asked. and Bill Hutchinson, with one quick glance around at his wife and children. nodded.
"Remember," Mr. Summers said. "take the slips and keep them folded until each person has taken one. Harry, you help little Dave." Mr. Graves took the hand of the little boy, who came willingly with him up to the box. "Take a paper out of the box, Davy." Mr. Summers said. Davy put his hand into the box and laughed. "Take just one paper." Mr. Summers said. "Harry, you hold it for him." Mr. Graves took the child's hand and removed the folded paper from the tight fist and held it while little Dave stood next to him and looked up at him wonderingly.
"Nancy next," Mr. Summers said. Nancy was twelve, and her school friends breathed heavily as she went forward switching her skirt, and took a slip daintily from the box "Bill, Jr.," Mr. Summers said, and Billy, his face red and his feet overlarge, near knocked the box over as he got a paper out. "Tessie," Mr. Summers said. She hesitated for a minute, looking around defiantly. and then set her lips and went up to the box. She snatched a paper out and held it behind her.
"Bill," Mr. Summers said, and Bill Hutchinson reached into the box and felt around, bringing his hand out at last with the slip of paper in it.
The crowd was quiet. A girl whispered, "I hope it's not Nancy," and the sound of the whisper reached the edges of the crowd.
"It's not the way it used to be." Old Man Warner said clearly. "People ain't the way they used to be."
"All right," Mr. Summers said. "Open the papers. Harry, you open little Dave's."
Mr. Graves opened the slip of paper and there was a general sigh through the crowd as he held it up and everyone could see that it was blank. Nancy and Bill. Jr.. opened theirs at the same time. and both beamed and laughed. turning around to the crowd and holding their slips of paper above their heads.
"Tessie," Mr. Summers said. There was a pause, and then Mr. Summers looked at Bill Hutchinson, and Bill unfolded his paper and showed it. It was blank.
"It's Tessie," Mr. Summers said, and his voice was hushed. "Show us her paper. Bill."
Bill Hutchinson went over to his wife and forced the slip of paper out of her hand. It had a black spot on it, the black spot Mr. Summers had made the night before with the heavy pencil in the coal company office. Bill Hutchinson held it up, and there was a stir in the crowd.
"All right, folks." Mr. Summers said. "Let's finish quickly."
Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones. The pile of stones the boys had made earlier was ready; there were stones on the ground with the blowing scraps of paper that had come out of the box Delacroix selected a stone so large she had to pick it up with both hands and turned to Mrs. Dunbar. "Come on," she said. "Hurry up."
Mr. Dunbar had small stones in both hands, and she said. gasping for breath. "I can't run at all. You'll have to go ahead and I'll catch up with you."
The children had stones already. And someone gave little Davy Hutchinson few pebbles.
Tessie Hutchinson was in the center of a cleared space by now, and she held her hands out desperately as the villagers moved in on her. "It isn't fair," she said. A stone hit her on the side of the head. Old Man Warner was saying, "Come on, come on, everyone." Steve Adams was in the front of the crowd of villagers, with Mrs. Graves beside him.
"It isn't fair, it isn't right," Mrs. Hutchinson screamed, and then they were upon her.
Re: Topic: Cheesecake Recipes
July 25, 2008 by brighteyez
"A chocoholic's dream. Something for a very special occasion."

PREP TIME 1 Hr
COOK TIME 1 Hr
READY IN 3 Hrs
Original recipe yield 1 - 9 inch cheesecake
INGREDIENTS
* 1/3 cup semisweet chocolate chips
* 1 1/2 cups vanilla wafer crumbs
* 3/4 cup hazelnuts - toasted, skinned and coarsely chopped
* 2 tablespoons white sugar
* 3 tablespoons butter, melted
*
* 3 (8 ounce) packages cream cheese, softened
* 1 cup white sugar
* 3 eggs, lightly beaten
* 3 tablespoons hazelnut liqueur
* 1 cup semisweet chocolate chips
*
* 2/3 cup semisweet chocolate chips
* 13 skinned, toasted hazelnuts
* 4 tablespoons sour cream
* 1 tablespoon hazelnut liqueur
DIRECTIONS
1. Using a blender or a food processor, finely chop 1/3 cup semisweet chocolate chips. Place in a small mixing bowl. Add vanilla wafer crumbs, ground hazelnuts, 2 tablespoons white sugar, and melted butter or margarine. Mix until well combined. Press onto the bottom and up the sides of a 9 inch springform pan. Bake in a preheated 300 degrees F (150 degrees C) oven for 15 minutes. Cool.
2. In a large bowl, beat the cream cheese until fluffy. Gradually add 1 cup white sugar; mix well. Add the eggs and 3 tablespoons liqueur. Mix until well blended. Coarsely chop 1 cup of the semisweet chocolate chips, and add to the cream cheese mixture. Stir. Pour batter into the cooled crust.
3. Bake at in a preheated 350 degrees F (175 degrees C) oven for 1 hour. Let cake cool for 1 hour. Remove outer ring from pan. Then let cool completely.
4. Melt 2/3 cup semisweet chocolate chips over hot (not boiling) water. Stir until smooth. Dip 13 hazelnuts into the chocolate, covering one-half of each nut. Shake off the excess chocolate. Place on a waxed-paper lined plate. Chill until set.
5. To the remaining melted chocolate, add sour cream. Mix well. Stir in 1 tablespoon liqueur. Spread glaze on top of the cooled cheesecake. Garnish with chocolate dipped hazelnuts.
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Chocolate Cookie Cheesecake
"I don't know what to say about this recipe other then it is decadent and addictive."

PREP TIME 30 Min
COOK TIME 1 Hr
READY IN 11 Hrs
INGREDIENTS
* 2 cups chocolate sandwich cookie crumbs
* 2 tablespoons butter, melted
* 1/4 cup packed brown sugar
* 1 teaspoon ground cinnamon
* 2 pounds cream cheese, softened
* 1 1/4 cups white sugar
* 1/3 cup heavy whipping cream
* 2 tablespoons all-purpose flour
* 1 teaspoon vanilla extract
* 4 eggs
* 1 1/2 cups chocolate sandwich cookie crumbs
* 16 ounces sour cream
* 1/4 cup white sugar
* 1 teaspoon vanilla extract
* 1 cup heavy whipping cream
* 1 1/2 cups semisweet chocolate chips
* 1 teaspoon vanilla extract
DIRECTIONS
1. Combine 2 cups cookie crumbs, melted butter, brown sugar, and cinnamon in a medium bowl; firmly press mixture evenly onto bottom and 1 inch up sides of a 10-inch springform pan. Bake at 350 degrees F (175 degrees C) for 5 minutes; set aside.
2. In a large bowl, beat cream cheese until smooth. Gradually mix in 1 1/4 cups sugar, 1/3 cup whipping cream, flour, and 1 teaspoon vanilla. Beat in eggs, one at a time, beating after each addition. Pour 1/3 of batter into prepared pan. Top with 1 1/2 cups cookie pieces; pour in remaining batter.
3. Bake at 350 degrees F (175 degrees C) for 45 minutes. Remove cake from oven. Combine sour cream, 1/4 cup sugar, and 1 teaspoon vanilla; spread evenly on cheesecake. Continue baking for 7 minutes. Turn oven off and leave in oven 30 minutes. Remove cheesecake, and let cool completely on a wire rack.
4. Combine 1 cup whipping cream and chocolate chips in a saucepan; stir over low heat until chocolate melts, and then stir in 1 teaspoon vanilla. Pour mixture over cheesecake while still warm. Refrigerate until serving time. Should be at least 8 hours for refrigerator time, remove about 1/2 hour to 1 hour before serving, remove ring from springform pan, decorate to choice and get out your fork!
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White Chocolate Raspberry Cheesecake
"This makes an excellent cheesecake, similar to one you would get in a restaurant. Great for special occasions! Garnish with white chocolate curls if desired."

PREP TIME 1 Hr
COOK TIME 1 Hr
READY IN 10 Hrs
Original recipe yield 1 - 9 inch cheesecake
INGREDIENTS
* 1 cup chocolate cookie crumbs
* 3 tablespoons white sugar
* 1/4 cup butter, melted
* 1 (10 ounce) package frozen raspberries
* 2 tablespoons white sugar
* 2 teaspoons cornstarch
* 1/2 cup water
* 2 cups white chocolate chips
* 1/2 cup half-and-half cream
* 3 (8 ounce) packages cream cheese, softened
* 1/2 cup white sugar
* 3 eggs
* 1 teaspoon vanilla extract
DIRECTIONS
1. In a medium bowl, mix together cookie crumbs, 3 tablespoons sugar, and melted butter. Press mixture into the bottom of a 9 inch springform pan.
2. In a saucepan, combine raspberries, 2 tablespoons sugar, cornstarch, and water. Bring to boil, and continue boiling 5 minutes, or until sauce is thick. Strain sauce through a mesh strainer to remove seeds.
3. Preheat oven to 325 degrees F (165 degrees C). In a metal bowl over a pan of simmering water, melt white chocolate chips with half-and-half, stirring occasionally until smooth.
4. In a large bowl, mix together cream cheese and 1/2 cup sugar until smooth. Beat in eggs one at a time. Blend in vanilla and melted white chocolate. Pour half of batter over crust. Spoon 3 tablespoons raspberry sauce over batter. Pour remaining cheesecake batter into pan, and again spoon 3 tablespoons raspberry sauce over the top. Swirl batter with the tip of a knife to create a marbled effect.
5. Bake for 55 to 60 minutes, or until filling is set. Cool, cover with plastic wrap, and refrigerate for 8 hours before removing from pan. Serve with remaining raspberry sauce.
Re: Topic: Cheesecake Recipes
July 25, 2008 by brighteyez
"A great tasting citrus cheesecake with a marmalade glaze. Garnish with orange slices and sprigs of mint."

INGREDIENTS
- 1 egg yolk
- 1 tablespoon fresh lemon juice
- 1 teaspoon grated lemon zest
- 1/4 teaspoon vanilla extract
- 1 1/4 cups all-purpose flour
- 1/3 cup white sugar
- 1/2 cup butter, room temperature
- 1 egg white
- 3 (8 ounce) packages cream cheese
- 1 2/3 cups white sugar
- 2 tablespoons cornstarch
- 1 tablespoon fresh lemon juice
- 1 tablespoon grated orange zest
- 2 teaspoons grated lime zest
- 1 1/2 teaspoons grated lemon zest
- 1/2 teaspoon vanilla extract
- 3 eggs
- 1 cup sour cream
- 2/3 cup orange marmalade
- 2 teaspoons fresh lemon juice
DIRECTIONS
- Preheat oven to 450 degrees F (230 degrees C). Butter a 9 inch springform pan. In a small bowl, whisk together egg yolk, 1 tablespoon lemon juice, 1 teaspoon lemon peel and 1/4 teaspoon vanilla. In the bowl of a food processor, combine flour and 1/3 cup sugar. Add butter and process until coarse crumbs form. With machine running, add yolk mixture and blend until moist clumps form. Press dough onto bottom and 1 1/2 inches up sides of prepared pan. Freeze crust 10 minutes.
- Brush crust lightly with egg white. Bake until crust is pale golden, about 15 minutes. Cool on rack while preparing filling. Reduce oven temperature to 350 degrees F (175 degrees C).
- In a large bowl, beat cream cheese and 1 2/3 cups sugar until smooth. Beat in cornstarch, 1 tablespoon lemon juice, orange zest, lime zest, 1 1/2 teaspoon lemon zest and 1/2 teaspoon vanilla. Beat in eggs one at a time, then stir in sour cream. Pour filling into crust.
- Bake in the preheated oven for 55 to 60 minutes, or until puffed and cracked around edges and center moves only slightly when pan is gently shaken. Allow to cool to room temperature, then refrigerate overnight.
- In a saucepan over medium heat, boil marmalade and 2 teaspoons lemon juice until slightly reduced, about 2 minutes. Spread warm glaze on top of cake. Chill cake 10 minutes. Remove pan sides and transfer cake to serving plate.












